Physical ecstasy: Dance and minimal music inspire Kassel audience!

Physical ecstasy: Dance and minimal music inspire Kassel audience!

In the well -filled cellar theater of the Fridericianum in Kassel, Andrea Peña's "Transmuted Symphony", which was excited excited, took place on June 16, 2025. The ensemble joined the audience when they entered rhythmic squats, while in the background the loud minimal music sounded. These sounds, which originated in the United States in the 1960s and are strongly influenced by various music styles such as jazz and psychedelic rock, created a unique fitness studio atmosphere that suited the entire performance. Minimalist music largely ignores the composition conventions and creates a hypnotic effect through repetitive structures and sound simplicity, which was also found in the choreography of Peña. Wikipedia reports that in many places it is considered a kind of antithesis to serialism and its popularity goes far beyond pop music.

In the intimate space of the Kellertheater Vettrieben, the dancers not only stepped their movements in small, careful steps, but also went into trance -like states, whereby the time for the audience became almost meaningless. A dancer even interacted directly with a spectator, which also intensified the connection between performance and the audience. This interaction reflects the endeavor to experience human nuances in real time, as the choreographer had indicated in advance. The performance switched rhythmically between collective actions, solos and acrobatic encounters, with emotional issues such as loneliness, fear and pain being emphasized.

The aesthetics of minimalism in dance

The artistic embedding of dance and music is not only a feature of the evening, but also part of a larger trend within the contemporary art scene. The avant -garde has revolutionized many traditional art forms since the early 20th century and is currently sustainable the development of performative arts. Actions such as happings and performances combine various art forms and bring together aspects of time and space that were previously separated ZKM. This merger promotes a new form of interaction in the art area, which is also clear in the work of Peña.

It was particularly impressive how the groups formed to live sculptures to live and created an atmosphere of collective experience. With an abrupt conclusion, the performance ended after an hour, while the audience applauded frenetically and 99 spectators donated Standing Ovations. This enthusiasm sets a clear sign of the successful connection of dance, music and the intense emotional world of experience. Peña spoke of the goal of her choreography to enable the spectators a noticeable energy and to offer a journey through the human emotions together.

end and context

Although the creation is described as a need as an innovative but extremely convincing, the discussion about the square of minimal approaches in contemporary art remains lively. Choreographers like Peña pull inspiration from the minimal music, which, in addition to their independent characteristics, is also integrated into new forms of dance. The creation of a collective experience and the use of repetitive elements in dance reflect a cross -trend aesthetics that is used by many contemporary artists.

In addition, a gigantic techno festival took place at the Nearby Documenta-Platz at the same time at the same time, which underlined the city's cultural diversity that evening. The connection between dance, music and urban life shows how lively and dynamically the Kassel cultural scene is today and how it comes into dialogue with traditional art forms.

Details
OrtKassel, Deutschland
Quellen

Kommentare (0)